In her second album Lina Filipovich continues her experiments on deconstruction and reappropriation through the recycling, sampling, reassembly and reconditioning of already existing music.7 electronic interpretations of the works of Baroque composers (J. S. Bach, G. F. Handel, G. Frescobaldi, N. Carleton, F. Couperin), inspired by memories of her experience of interpreting Bach’s pieces in […]
