In her second album Lina Filipovich continues her experiments on deconstruction and reappropriation through the recycling, sampling, reassembly and reconditioning of already existing music.
7 electronic interpretations of the works of Baroque composers (J. S. Bach, G. F. Handel, G. Frescobaldi, N. Carleton, F. Couperin), inspired by memories of her experience of interpreting Bach’s pieces in early childhood, explore the desire to push the limits of simple performance of classical music.
Baroque compositions are manipulated, modified, transformed into loops, cut and slowed down are recycled like any other material or energy, becoming a raw material for new compositions accompanied by electronic sequences, rhythms and basslines.
